VLASTA DIAMANT, an artist, author, publisher
1. Socialism v. Santa, 2015-'18 (SvS)
2. This Really Happened, 2010 (TRH)
3. Once Upon Skates, 2009 (OUS)
• Painterly MONOPRINTS 1997–2007
• MASKS 1986-1997
• Ceramic JEWELRY 1974-91
Coming ATTRACTION in December 2019: publishing The Seasoned Mind, 'zine' for Seniors by Seniors
CALLING Readers and Contributors to the "Seasoned Mind"–
an on-line (print) 'zine' for Seniors by Seniors!
WHAT to submit:
• a short, personal story of an unusual event from your or somebody else’s life
•an anecdote, or an appropriate joke (for a ‘seasoned‘ laughter)
• a short poem (doesn’t have to rhyme, but be & ring true)
•a personal drawing
•a photograph of an interesting or a common subject, taken from an interesting angle (properly exposed & focused w. or w/o a caption)
• a vignette well-told (we can help in editing)
All are welcome to submit articles in English.
Deadline: February 15, 2020
Next issue is coming out in March 2020
"Socialism v. Santa"
contemporary, John Jakubiak's review
“Vlasta Diamant in her memoir Socialism v. Santa gives us an intimate view of family relations in a locale that most Americans know only from political headlines in the Cold War era, the then-Yugoslavia of Tito. Her recollections and insights are filled with warmth and humor. She applies the wisdom of a lifetime in perusing these relationships and events and provides us with a fascinating tableaux of personalities; she contrasts her memories of those times with her later experiences in this country. Altogether a very human and interesting account.”
“A debut memoir places the author’s personal history in the panoramic context of world events. ... Diamant weaves her own autobiography into the fabric of world history, furnishing a sweeping account of the troubled past of Yugoslavia. Having grown up in postwar Yugoslavia under Tito’s rule, the author portrays a nation struggling to discover, or invent, its identity. Diamant’s reflections on socialism, an ideology she eventually, if only partially, rebelled against, are philosophically provocative: “From the start, I was buffeted by contradictory influences. Socialism implanted in us notions of equality and justice for all, while everyday life demanded to either live accordingly or skirt those ideals.” She eventually left her homeland to study in West Germany, met an American in Munich whom she married, and moved to San Francisco, a hotbed of cultural vitality, in the 1970s. There, Diamant found her bearings as an artist, a development she doubted would have been possible if she hadn’t moved to the U.S. ...